Brill E-Books

 Recarving of Roman portraits in Late Antiquity: From Face to Face

Contents

• • Preliminary Material (i-xxii)   (201K)
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    • Contents
    • Preface
    • Editorial Note
    • Acknowledgments
    • List Of Diagrams And Sketches
    • List Of Figures And Photo Credits
  • The History Of Sculpture Reuse And Related Problems (1-12)   (254K)
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    • The Stand Der Forschung Of Sculpture Reuse
    • The Identification Of Recarved Sculpture
    • Organisation Of The Material
    • Terminology
    • Definitions Of "Style"
    • The Function Of Recarved Portraits
  • The Reuse Of Sculpture And Recarving Of Portraits (13-28)   (356K)
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    • Criteria For Identification
    • Spolia And The Recarving Of Portraiture
    • The Reuse Of Private Sculpture
    • Relocated And Discarded Sculpture
    • Portrait Heads In Secondary Contexts
    • Pagan Sculpture In The Early Christian Period
    • The Reuse Of Statuary In Late-Antique Constantinople
    • Marmora Et Ornamenta
    • The Archetype Of Portraits
  • Statistical Analyses (29-36)   (293K)
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    • The Relationship Between New And Recarved Portraits
    • Test Case Within A Defined Geographical Area
  • The 1st-2nd Centuries CE And The Damnatio Memoriae Portraits (37-46)   (208K)
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    • The Significance Of Imperial Portraiture
    • The Damnatio Memoriae Portraits
    • Female Portraits
  • The 3rd Century CE (47-58)   (240K)
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    • Economy And Reuse
    • The Styles Of The Recarved Portraits From The 3rd Century CE
    • Gallienus And A Break With Tradition
    • The Soldier Emperor Portraits
    • The Philosopher Portraits
    • A Change In Portrait Function
  • Late Antiquity And The Emergence Of New Visual Expressions (59-78)   (491K)
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    • The Tetrarchic Period
    • The Constantinian Period
    • Visual Expression In The Constantinian Period
    • From Valentinian I To Justinian I
    • Private Recarved Portraits In Late Antiquity
  • Recarving Methods (79-92)   (414K)
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    • Marble And Quarries
    • Workshops
    • Tools
    • From Face To Face
    • Hairstyles
    • Facial Features
    • Ears
    • Eyes
    • The Lower Facial Features And The Mouth
    • Techniques
  • Classifications (93-108)   (780K)
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    • The Bandit Group
    • The Helmet Group
    • The Ephesos-Tetrarch Group
    • The Athens Group
    • The Plotinus Group
    • The Eutropius Group
    • The Iamblichus Group
    • From The Bandit Group To The Eutropius group: A Development Of Technique?
  • Social Aspects (109-122)   (292K)
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    • Imperial Vs. Private Portraits
    • Gods And Humans
    • Recarvings Across Gender Lines
    • Recarved Female Portraits
    • Recarved Portraits On Sarcophagi
    • Norms
  • Oblivion And Reinvention (123-124)   (41K)
  • Summary (125-126)   (205K)
  • Map With Portrait Provenances (127-128)   (212K)
  • The Roman Imperial Succession Until Justinian I (129-130)   (24K)
  • Catalogue Of Recarved Portraits (131-158)   (632K)
    • Jump to section:
    • Introduction To The Catalogue
    • Period 1
    • Period 2
    • Period 3
  • Bibliography (159-176)   (581K)
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    • Ancient Sources
    • Modern Sources
  • Index Of Museums And Collections (177-186)   (167K)
  • Concordances (187-194)   (108K)
  • General Index (195-202)   (123K)
  • Figure Plates (203-362)   (12M)